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Designer: Alejandra Cortez Martinez
HALIOTIS RUFESCENS
It is a collection of four pieces made with abalone shell and cultured pearls, consisting of a bag, a necklace, a ring and a pair of earrings. Inspired by the love for the ocean, the native and fishing communities of Baja California, the traditions, ancestral and sustainable craft and fishing practices, as well as cultivation. Materials: Wild Abalone shell, cultured pearl inlays, steel wire, silver and copper appliqués.
Designer: Rogelio Hernández Angelina
NAHUATL BEAUTY
The Huasteca Veracruzana offers traditional traits indigenous people in a perfect idea or “cultural fashion” exposed in the popular garment worn by the women of the area: blouse or shirt with embroidery on the neckline and geometric cuts on the sleeves, at the bottom a skirt, or petticoats in sober colors and also flashy. A traditional two braid hairstyle with ribbons in bright tones. Thus, inspired by such a proposal and with the influence of the oversize silhouette and transparencies, the also called low Huasteca, allows me to turn it into a proposal from our land. Materials: Cotton and polyester fabrics and threads
Designer: Flor María Alcudia González
PAPALOTA
My inspiration is based on the butterflies that represent immortality, rebirth and resurrection, the vital breath, the soul of men and the incarnation of the dead when they visit the world of the living. It is also considered a symbol of rebirth and regeneration of men. In the Mayan culture, butterflies were considered the souls of warriors killed in battles or sacrifices. The Teotihuacanos considered them as a symbol of the purity of the water. Materials: Tulle, Cotton fabric, Lace Ribbons
Designer: Andrea María Ríos Yunda.
KLESTRINŸE
I wanted to focus on the Kamëntšá community of Putumayo in Colombia and on the artisan work that is used in the masks carved in wood and decorated with beads, since listening to the Kamëntšá indigenous people talk about their artistic expressions in different artisan meetings and fairgrounds, have helped me given the inspiration to develop the designs for the present fashion show. Stand out through the filigree artisan jewelry, in combination with wooden elements and the bead veneer, figurative expressions of what makes me smile, taking as a starting point the mask of the smiling woman and man, masks made by the Master Ángel Marino Jacanamejoy, artisan from the Kamëntša community. Materials: 925 Silver, Copper Brass, Swarovski Crystals, Swarovski Ceralun, Nickel-free 24-carat Gold Plating, Beads in sizes 15/0
Designer: Ximena Zavala Gallardo.
MY TREE OF LIFE
Inspiration: Spatialism Art and Crafts of clay tree of life. The tree of life was born as a representation of ancient Mexican deities, after the conquest, it was replaced by biblical versions, such as Adam and Eve as main characters. But over time, the potters have been recovering pre-Hispanic elements. Thanks to his creativity and thoroughness, my inspiration comes from how this craft generates a visual impact, narrating stories, capturing epic battles, heroes, legends, dualities of good and evil, day and night, sun and moon, life and death. Materials: 100% Cotton Assembly: 100% Cotton T-shirt Applications: Modeling dough with covered wire Collar: Modeling dough, t-shirt and covered wire
Designer: Tania Marzuca Rivero
CONVERGENCE
The inspiration came from looking for the crafts of my state, Puebla, less known and used and less in jewelry, every time I When someone mentions Puebla, they say Talavera, blown glass, Silver or Amozoc clay, when amate paper appeared to me, I found the guiding thread as an influence towards what I wanted to do, I just had to find how. What I liked the most is that it does not have any Spanish influence, it is completely a pre-Hispanic craft and it remains that way. Materials: Amate paper, 999 fine silver with moldable silver technique, 925 sterling silver
Designer: Anayeli García Cruz
IRISDISCENT SCANCY
I was born and raised in the heart of the Sierra de Mil Cumbres, Michoacán, being so close to the majesty of the forest and listening to my grandfather narrate the peculiarities and changes that occurred in each tree and shrub between seasons throughout his life. life undoubtedly allowed me to develop a great sensitivity, love and deep respect for each element that was present between the shades of the intense green of the pines and the precious golden rays of the sunset. I remember how a teacher told us about the origin and meaning of certain festivities that we lived, my heart and my mind raced and flew like a tornado, dazzled by the colors and textures that were appreciated, by the courage of those who fought, the faith of the believers and the tenacity of those who continued the legacies. Materials: Imperial tergal, Gold textile vinyl and iridescent effect, Peacock feathers, Gold, iridescent and black rhinestones, Interlinings, Taffeta lining, Haberdashery; black threads, shoulder pads, cups, plastic rod.
Designer: Ivonne Ruiz León
TRENCH WEATHER AUTUMN”
This garment is inspired by the days that announce the arrival of autumn with the air that begins to feel cold and requires wearing light coats, especially in the month before the arrival of winter. Materials: Fabric made in the state of Michoacán was used on a pedal loom, in raw color and on that same fabric the handmade embroidery was made with DMC brand threads in color 604.
Designer: Silvia Martínez Barrientos
THE ECHEVERRIA PARTY
Philosophy exists for the simple fact that there is a questioning of what human existence is. This question connects all the people in the world but the answer is not unique, it is the search for more questions and for me the textile work that I produce is my daily questioning, so I decided to be inspired by the work of the Latin American philosopher Bolívar Echeverría specifically in his book: The modernity of the baroque and his essay: The game, the party and the art, since I consider it a perfect example of how crafts can be worked in a contemporary way. He explains in his literature that Latin America is a place where we accept the modern that globalization and capitalism offer us, but despite the fact that throughout history they have wanted to modify our behavior as a society, the people do not stop celebrating their rituals, its traditions and uses technology and contemporary advances to innovate parties that honor the customs of yesteryear, transform the modern, adorn it and make it alive. Materials: Flat fabric that simulates linen but made with 50% cotton and 50% bamboo fibers, 100% cotton embroidery threads.
Designer: Eugenia Sofía Rodríguez Fernández
Twilight garden
The natura verso macro trend was a source of inspiration to create a set with iridescent nuances, in which floral motifs created with modern printing techniques coexist, with natural fibers and handcrafted elements such as the traditional Tabasco embroidered strip, which stands out for its iconography of the flora and fauna of the region. Materials: Taffeta fabric, mesh tulle, Tabasco embroidered strip, horsehair, textile vinyl, natural fibers.
Designer: Dorcas De la cruz Hernández, Laura Gómez López, José Arturo López Avalos
THERE ARE BLUES THAT FALL FROM PURPLE
With this design we seek to materialize the poetic expression of Carlos Pellicer camera, capturing fragments of his work. From the fragment "THERE ARE BLUE THAT FALL FROM PURPLE" the fall is reflected with a layer that degrades from blue to purple and the texture of the water on the waist is sought. In addition, the fragment "I want nobody to know that I am in love" is integrated. Only the flowers understand and listen to this” embroidering the flowers on the side and bottom of the pants with the loin stitch technique. Materials: Tulle fabric, polyester fabric, cotton threads.
Designer: Antonio Álvarez Rodríguez y Dulce Guadalupe Campos Roan
ETERNAL LIFE
The concept of this garment revolves around the alebrijes and talaveras. Alebrijes are fantastical and colorful figures carved from wood or modeled in papier-mâché, characterized by their intricate patterns, vibrant colors, and a variety of shapes and sizes. These characteristics lend themselves perfectly to being interpreted in garments, either through prints, embroidery or appliqués. Talavera is a ceramic technique traditionally produced in the city of Puebla, and is known for its beautiful designs and elaborate patterns, Mexican talavera represents the skill and dedication of Mexican artisans who have preserved this technique for centuries. Materials: Black and Mexican pink gabardine, polyester lining, eyelets, buckles, buttons, skein threads and rhinestones.
Designer: Allison Rosales Gómez
ESTATE
Contemporary Mexican cross-stitch crafts, also known as "Xok Bi Chuy" and also the traditional women's clothing from Yucatan. Because the cross stitch is mainly used in Yucatecan clothing, this was also my main inspiration. The suit is considered one of the most elegant and beautiful suits in Mexico, so I wanted to highlight that quality, but thinking about whether it had been created today; so I changed the silhouette of the suit changing it to a mermaid cut since currently this can be associated with Mexico for the Catrina. In the doublet I wanted to keep the traditional embroidery since I consider it the piece with the most prominence in my design, the flowers embroidered in cross stitch are in pink, purple, yellow and red, which are usually the traditional colors. Materials: • Closure. • Invisible closure. • Elastic tape. • Embroidered lace band. • Embroidery threads • Polysilk lining • Lace. • Ribbon.
Designer: Olga Lydia Lopez Barraza, Mariam Isela Montoya Lopez Y Ana Flor Osuna Vázquez
ACANTUN WHITE HOUSE
On this occasion the theme of inspiration is Neo Mexican crafts, we take inspiration mainly from the rebozo and the little miracles. The shawl is a multifunctional garment that protects from the cold and the sun, it can be made in a variety of materials, colors and designs. The little miracles are small pieces carved in wood or metal that are used to thank a favor or to request divine help; It is also widely used in Mexican houses as protection amulets for the home. So taking this idea of protection we wanted to capture it in a large and maximalist cape as representing a mystical protector being, we wanted it to be red and full of decoration representing how striking and abundant Mexico is in its crafts. Materials: tergal, shawl and slang, chiffon flowers, fringes and specks, Charmusse, wadding for padding.
Designer: Mariana Gpe. Torrero Barraza, Maria Jose Valenzuela Rayas y Lissandra Montoya Gil
MAUISTIK WHITE HOUSE
The axolotl known as "aquatic monster" is an endemic amphibian of Mexico. The Mexican miracles are a craft whose purpose goes back to an offering of gratitude or request for a miracle. Black clay pottery is part of the traditional pottery production of Oaxaca, Mexico. Materials: Black Tergal, Brass, Silver Beads, Pink Chiffon and Pink Verona.
Designer: Camila Calderón Ruiz, Getzemani Sosa Sánchez y Sofia Elisa Zazueta Cruz
“MOOK” WHITE HOUSE
Mook is a word of Mayan origin, which has the meaning ''knot, rope or thread''. We use it in our collection as our focus is on braiding, joining and tying various natural materials into our design. Materials: wood, jute. We are inspired by those materials from which we come, from those that began as basic tools to survive among the branches and the sun rising from the horizon. A sun that lulls us to sleep at dawn and embraces us as if it were blinking at us.
Designer: Basiliza Macedonio Santiago.
HANDMADE DRESS AND MEN'S COAT” ALESANDRA FARELI
Amuzgo embroideries from the Xochistlahuaca Guerrero region. With the objective of linking traditional Mexican embroidery to contemporary design, this garment was made to show that artisan work can be integrated into contemporary fashion. Materials: Cotton threads, Fruits of the Jícara tree as hanging accessories on the back and front yoke.
Designer: AUREA MEXICAN CONCEPT BOUTIQUE
OCELOT
We took the jaguar (ocelot) as inspiration in this design, with a 100% cotton knitted poncho depicting the jaguar, changing with touches of leather and nayarita beads, a cotton kimono-type shirt and as a jewelry accessory a triple necklace of watermelon and black tourmaline and two jaguar heads mounted in 925 silver. Materials: cotton, leather, beads, natural stone (watermelon and black tourmaline) 925 silver.
Designer: SANDRA TORRES ATELIER
MEXICAN CORN
Our garments are inspired by Mexican corn, particularly Michoacan corn and the beauty of its shades that go from white, to reddish, purple, orange and black. Mexico is a country that for centuries has worshiped corn with all that magic that comes from it and that is why we recognize it as one of the elements of our culture that deserves more attention precisely because it surrounds us, we feel it and it we enjoy every day through our gastronomy. Materials: Organic cotton, acrylic.
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